Showing posts with label comic book solicitations. Show all posts
Showing posts with label comic book solicitations. Show all posts

Friday, 25 April 2008

Comics: Do Your Bit For The CBLDF

The solicitations are up for Image comics in July, but there is only one book to point out, as reinforced by Scott Dunbier's post about it:

LIBERTY COMICS: A CBLDF BENEFIT BOOK (ONE-SHOT)

Quoteth the blurb:

DEFEND YOUR LIBERTY!
The Comic Book Legal Defense Fund and Image Comics defend your freedom of speech with LIBERTY COMICS, an all-new 32-page, full color comic book crammed cover-to-cover with work by many of today’s top creative talents. This mature readers anthology is printed in a high quality format and features all-new stories of THE BOYS and CRIMINAL as well as all-new creations from some of your favorite artists. All proceeds benefit the CBLDF and their efforts to protect your creative rights!
Or, to put it in the more immediate terms of Scott's post:
Stories by:
Ed Brubaker & Sean Phillips provide a CRIMINAL tale
Garth Ennis & Darick Robertson bring us THE BOYS
Mark Millar & John Paul Leon give us their take on DRACULA
Darwyn Cooke delivers something entirely new
Mark Evanier & Sergio Aragones take us on a tour of the CBLDF

Additional material by:
Arthur Adams, J. Bone, and Rick Vietch (The return of BRAT PACK!)

A great line-up and all for a good cause, to raise money for the Comic Book Legal Defense Fund. There is really no excuse not to buy it, so make sure your local comic book shop orders you a copy and comes out on 23 July 2008 for $3.99 of the weak Yankee dollar. Be entertained and feel a contented glow from being charitable; you know it makes sense.

(Just in case you are confused – it is only one book but it has two covers, as shown here. Don't want you to get the wrong idea.)

Tuesday, 15 April 2008

Rejoice: The Return of Ambush Bug

The solicitations for DC Comics for July 2008 are up at CBR. However, there is no need for you to read them, because the only one worth reading about is here:


AMBUSH BUG: YEAR NONE #1
Written by Keith Giffen & Robert Loren Fleming
Art by Giffen & Al Milgrom
Cover by J.H. Williams III
Variant cover by Giffen

The wait is over -- everyone's favorite Bug is back, courtesy of the original AMBUSH BUG team of Keith Giffen and Robert Loren Fleming! Cities will be destroyed! Cats and dogs will live in sin! Every unanswered question of the DC Universe will be answered! Live heroes will die and dead heroes will live! Okay, none of that actually happens, but join us anyway for this totally irreverent romp through the DC Universe as only Ambush Bug could give you!

Keith Giffen back on Ambush Bug, doing both plot and pictures. This is a good day.

Friday, 23 November 2007

Reason For A Brit To Be Thankful


Even though it was announced in September that Alan Davis would be working on a new series of ClanDestine, it is still the best reason for this Brit to be thankful for the Marvel solicitations for February 2008. Obviously, I have a lot of love for this series (it was one of the reasons behind the naming of the blog), so it is with undiluted joy that I greet the return of this wonderfully charming series. I’m so full of glee I shall stop now, and just copy and paste the solicitation copy:

Alan Davis' freaky family returns! They've existed, hidden among mankind for centuries, a mysterious bloodline of superhumans, eternal and apart. And all they've desired is to be left alone, to pursue their individual interests in peace. But now, the existence of their hidden clan is threatened with exposure by the activities of one of their youngest siblings, Rory Destine, who aspires to be the costumed crimefighter called the Crimson Crusader! And now that the cat's been let out of the bag, who or what is going to come calling at the Destine family's Ravenscroft doorway?

In other news, Fantastic Four #554 sees the start of a year-long run from Mark Millar and Bryan Hitch. There is no denying that this should be huge – the team behind The Ultimates on Marvel’s first team, where absolutely anything can happen – but will it be timely? I’m going to wait for the trade, rather than the inevitable wait between issues for Hitch’s gorgeous artwork (although the cover looks a bit ropey), but surely the whole point of a big-name creative team on a monthly series is to bring in people on a monthly basis? It was okay with The Ultimates, everyone knew that it was finite; the Fantastic Four is and always will be ongoing.

The Immortal Iron Fist: Orson Randall and the Green Mist of Death sees Matt Fraction going solo to tell a story of Orson Randall, the Golden Age Iron Fist. It’s great to have so much good Iron Fist material about at the moment – this news series is the best thing to happen to the character in years – but I worry about diluting the current character with what are essentially a collection of flashback scenes in a special. I have no doubt this will be enjoyable stuff, I would just prefer to see it as part of the core book. I’m sure it will be in the trade, but I follow this in the serial format, which is why I feel the need to point it out.

Joss Whedon sees two storylines round up this month – Runaways #30 sees the end of his first storyline on the title (which has been an odd story so far, with the history/alternate world concept at contrast with the idea of super-powered kids in modern day LA rebelling against their supervillain parents, but that could be just me), and Giant-Size Astonishing X-Men #1 is a huge (64 page) one-off marking the end of his work with John Cassaday on Marvel’s Merry Mutants. Hope it’s collected in the trade …

I would mention Kick Ass, which is interestingly in the Icon section, but it’s not as if Millar won’t be hyping this new series (looking at somebody trying to be a superhero in the ‘real world’) in his usual subtle and inimitable style …

The most interesting news in the Icon section is the return of Criminal, but as a second series and a new number one. Everything else is the same – Brubaker on words, Phillips on pictures – but the gap between this and last series suggest that the delicate balance of comic book economics have flavoured the decision to start again. This book is never going to sell in big numbers in the direct market, so I’m not sure if it will have much effect, but anything that helps to keep this excellent series going is fine by me.

[EDIT: Newsarama talks to Alan Davis about the new ClanDestine series]

Wednesday, 19 July 2006

Solicitations, Inventory, And, Erm, Stuff

A lot to get through today, so let’s crack on and commentaritating (and making up words):

Marvel solicitations for October

As Marvel ploughs on with the massive Civil War crossover, there are only a few items worthy of merit that deserve mentioning, for whatever reason I see fit.

Ultimate Power #1Ultimate Power #1
Bendis starts off this bizarre crossover, with Ultimate U meeting Squadron Supreme U. Shouldn’t DC be suing for stolen ideas – isn’t this a Marvel version of the JSA meeting the JLA? It should be interesting seeing Marvel do something like this, especially with the multiple writer approach of different writers doing three chapters in a row. I don’t think that this bodes well for the quality of the comic, but it is definitely worthy of attention.

Dr Strange: The Oath #1Dr Strange: The Oath #1
Yet another attempt to ‘do’ Dr Strange for the current climate (the question everyone wants to know: will Neilalien like it?), this looks like it has a fighting chance in the form of Brian Vaughan, an interesting sounding story, and some fluid art of Marcos Martin. The preview pages are funny and attention grabbing, so could this be the one that works its magic? (Pun unfortunately intended.)

Criminal #1Criminal #1
Pure crime noir from Icon comics from the class Sleeper team of Brubaker and Phillips. Despite the nagging feeling that there isn’t a market for this book (the good crime noir books with superheroes – Sleeper, Gotham Central, Powers – have never done excellent business, so why will that change if you remove superheroes from the equation?), I will be there for what should be a cracking read from creator combo with good previous form. Here’s hoping that Marvel support it …

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Incoming Inventory

LSH #20Supergirl and the Legion of Super Heroes #20
Following the nice aside of the whodunit of last issue, I hope the plot progresses a little with this one, and perhaps we’ll get another issue done completely by Kitson?






Casanova #2Casanova #2
Despite my feeling that Fraction missed the point of the Fell format in the first issue, there was a lot to enjoy about the introduction to Casanova Quinn, so this issue will be a test to see if it can work in 16 dense pages.





Runaways #18Runaways #18
I’ve deliberately been avoiding any news, interviews or discussion of Runaways stories, just so I can enjoy the unravelling of a death of a Runaway in an old school kinda way. It seems a shame to ruin a great last page from issue 17 with knowledge of what is to come.




X-Factor #9X-Factor #9
PAD continues his ability to make me care about these characters and work them into a company-wide crossover, so I’m looking forward to this issue (with the showdown with Quicksilver), even if Calero is still doing the art. He’s improved since he began, but I’m not convinced. Yet.

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Other stuff:
Jog makes it to two years, so belated congrats to the most prodigious writer in the comic blogosphere, with not an image in sight. Timely, consistent, jaw-droppingly insightful, I’m too scared to comment on his posts for fear of my stupidity being displayed next to such intelligent writing.

Kevin provides scans of the first issue of OMAC – I still don’t get Kirby, but it was interesting to see it at least.

Frank Miller to adapt and direct a film of Will Eisner’s The Spirit – will this work? Is Frank the one to do it? I've not read any Spirit stuff, but I am fully aware of the respect in which it is held, so this adaptation has to really do justice to the source material for the sake of comic books.

Tuesday, 18 July 2006

DC Comics Solicitations for October

Life (and the amazing rarity of wonderful British sunshine) meant that I didn’t buy my comics for last week and I didn’t see Superman Returns. I feel ashamed to the pit of my soul, which is why I find it ironic that my next topic of discussion is upcoming comics (that I will buy much later than when they come out) from DC.

DC solicitations for October

Seven Soldiers #1Seven Soldiers #1
A rather uninspiring cover protects the final issue of the Morrison maxi-series. I’ve been waiting ages for this to be solicited, so I'm really looking forward to finding out how it all pans out. It also means that I can sit down again and read it all in one sitting and see what I’ve missed.




The Authority #1The Authority #1
The delicious-sounding combination of Grant Morrison and Gene Ha take on The Authority, the super team that seems to be batted willy nilly between creators (Ellis to Millar, nutmegging Peyer, chased by Robbie Morrison, punted to Brubaker, a substitute by John Ridley, and some silliness from Ennis). If anyone can make The Authority great again, it’s Grant, so the potential for this bimonthly title is huge, and some sumptuous art from Ha to make it even more lovely. (However, the cover is a little bland – the promotional art at the wikipedia entry is a better cover for a new book)

Astro City Book 2 #1Astro City: The Dark Age Book 2 #1
This will probably read better in the trade, but Astro City is too enjoyable not to buy the comics, even if Anderson’s art is losing some of its shine. (Despite his static figure work, I’d prefer Ross – the cover is very good.) Busiek always brings out something a little special in his Astro City work, and this big storyline should be even more distinctive.

Desolation Jones #7Desolation Jones #7
I really enjoyed the first arc of Desolation Jones – I think it’s a great vehicle for Ellis’s story sensibilities – and it was a shame to see the evocative art of JH Williams go. Still, the new artist Danijel Zezelj (how the hell do you pronounce that?) seems like an interesting choice, based on the cover alone, so I can’t wait for more DJ, even if it is only bimonthly.

Planetary #26Planetary #26
I have to mention this because it is a wonderful thing to see Planetary on the schedules. This is something for the long-time fans of the series to relish, where things are brought to a conclusion (epilogue pending). This has been a fantastic series, with an interesting premise told in almost poetic form and with stunning art. It will be a shame to see it go, but the delayed schedule of late has made the parting something we’ve got used to.


Notes on the solicitations:

  • What the hell is Wildstorm doing A Nightmare On Elm Street – surely that’s Avatar territory?
  • I’m sure Neil Gaiman’s bank balance loves the idea of the hardcovers, but what kind of extras justify the $99 price tag? Going back to the well one more time …
  • Skimpy women covers – Supergirl 11: you can see her thinking, 'Can everyone see up my skirt? Is this really the best choice of costume? Can my skirt twirl anymore without showing my pudenda?'; Uncle Sam and the Freedom Fighters – a classic porn costume of covering everything else but being skimpy around the breasts and pants areas. She looks like she’s in the middle of a porn film, jerking off the Invisible Man at superspeed (which is why there is a special light affect on her wrist). If you want to draw naked women on the cover, 100 Bullets #77 shows you how to do it with class.

Wednesday, 28 June 2006

Incoming Inventory – June 29


Usagi Yojimbo #94
I don’t have it in me to do Comics Activisim but, if I did, I would do it for Usagi Yojimbo. I have been a fanatic for the rabbit bodyguard since I discovered him sometime ago. I buy the singles, but also buy the trades as well, because it is just that good. According to ICv2.com, Usagi Yojimbo only made it to number 202 on the top 300 comics sold in April 2006 (just above PvP, another black and white comic I buy), selling just shy of 6000 copies. I think this is a terrible shame; Usagi is one of the satisfying comic book experiences, with great characters, wonderful stories and art that is deceptively brilliant. It is a book that can be given to someone who doesn’t want to read about the spandex set, and doesn’t rely on years of continuity to be able to understand it (although there is greater subtext if you have been lucky enough to be reading it). My girlfriend and I both eagerly await the latest fix, and hope that Stan Sakai keeps telling Usagi’s story for years to come.

Supergirl and the Legion of Super Heroes #19
This series has been a bumpy ride, especially in the middle, but the input of Supergirl has been a great shot in the arm for the book. If they could get either Kitson to stay on schedule (he and Waid work well together) or just get an art team that maintains the visual element from month-to-month, it could be something special.

PvP #27
I haven’t been enjoying the recent Shecky storyline in the online strip, but that doesn’t stop my overall enjoyment for the series. Apart from the price difference, there isn’t much difference between the singles and waiting for the trade, as the comic book already collects strips from the website, effectively making it trade of sorts.

New Avengers #21
Due to circumstances beyond my control, I wasn’t able to get to the shop for last week’s haul, which had some sweet books in it, including the last issue of this title in fact. To make up for it, I’ve been cracking into the recently purchased back issues of this book (I’m still missing #7 and #12), and finding that it’s quite a good little read. It probably helps that I’m not an Avengers fan of old, so Bendis is able to tell a superhero team tale (with a very odd assortment of characters, it has to be said) with a bit of SHIELD stuff thrown in, drawn by some nice artists. I hope to review them soon, after I’ve finished reading them all, which will also mean that I will be up-to-date enough to be able to read this issue, drawn by The Man, Howard Chaykin.

Nextwave: Agents of H.A.T.E. #6
Explodo. Comedy. A soundtrack of mad giggling and bemused fanboys. This what I want from my monthly fix of mainstream comics; fun stories, engaging characters, cool dialogue and funky art. Bring on the purple pants!

Runaways #17
So, there’s a death coming up in the book, which I hope will bring back some of the spark that has been missing in this book for me of late. I don’t want Vaughan to use death regularly (Alex’s death was quite a shock in the first season), so I hope he isn’t falling back on old ideas, but he has a knack for doing things a little different, so there is optimism.

X-Factor #8
Although I will admit to having a soft-spot for David’s use of characters from his previous X-Factor days, I still enjoy this book for what it is, the Marvel mutants' version of Angel. If they could decide on a regular artists, I would be even happier (ideally, it would be Sook but, as that isn’t going to happen, I’ll take Olivetti after the good job he did on last issue). Last issue was also enjoyable for seeing what Singularity Investigations is all about, so I hope that David keeps up the momentum.

Wednesday, 21 June 2006

Marvel Solicitations and Incoming Inventory

Marvel solicitations for September here.

Like the DC soliciations, a selection rather than a long rundown:

Ultimate Spider-Man #100Ultimate Spider-Man #100

I don’t read Ultimate Spider-Man (although I did start out reading it), but you have to admit that it’s an impressive feat for the same creative team to continue for 100 issues straight in this day and age, especially on a Marvel book. It could be said that it is an easy job, retooling the old stories for a modern audience, but Bendis and Bagley have been doing a great job on this title for quite some time, and that deserves respect.


Fantastick Four1602: Fantastick Four #1 (of 5)

What a gorgeous cover from Yu. I have no idea what the interiors are like, but that sure does look purty … Normally, a money-grabbing spin-off from a Neil Gaiman concept wouldn’t have me interested, but this is written by Peter David, a man who has shown he can write well in most comic book genres, and the Fantastic Four from that series warranted a further look. And with special guest star, William Shakespeare!



Stan Lee meet Dr StrangeStan Lee Meets Dr Strange

Damn, that Davis can draw! I really dislike Lee’s writing, but I’m seriously tempted to buy this book solely for the art. Alan Davis is my favourite artist of all time, and this cover shows you why. Isn’t that beautiful? He draws superheroes perfectly. The idea of these stand-alone specials celebrating Stan Lee and his place at Marvel is actually a nice idea (which would be made better if they had something similar for Jack Kirby), if it wasn’t for the fact that Lee gets to fill pages with his diabolical dialogue and tell-tell-tell expository panels. Still, I can always just white them out so as not to be distracted from the artwork …


Punisher War JournalPunisher War Journal #1

I don’t know why this is needed when Ennis is doing such a fine job with the character, but, if they must, then they have at least done something different by giving it to Matt Fraction. His love of violence and humour make him a good fit, and it will be interesting to see his indie sensibility on such a mainstream character. Olivetti should be a good match, with his detailed and muscular yet slick art, so this has the potential to be something different.

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Incoming Inventory – 22 June

All-Star Superman #4
All Star Superman #4
The internet weeps tears of joy as a new issue of Superman by Grant Morrison and Frank Quitely is welcomed into the world. This is just dazzling good comics, and we are lucky that DC finally saw sense in letting Grant get his way with the big guy.

Ex Machina #21
Ex Machina twice in two weeks; Monsieur Ambassador, you are spoiling us … The regular team bring us the continuing adventures of Mitchell Hundred with the necessary Mature Readers tag, for content and quality.

Casanova #1
Matt Fraction again, this time bringing us the contents of his brain in comic book form, in the Fell format no less (but with even more pages; we are so lucky). This looks like it will be quite spectacular. Don’t take my word for it; Warren Ellis commands you buy it, so you have no choice.

New Avengers #20
It is my intention to finally get up to date on this series and sort through the boxes in the attic for the rest of this series, just so I can actually read this book when it comes out. I like a bit of Bendis, and I enjoyed the first trade, helped by the fact that I’m not an Avengers fanboy. I hope it’s good after waiting to read it all this time …

Ultimates 2 #11
Talking of long waits, here is finally another issue of Ultimates. Hitch’s art always make it worth the wait, and Millar has been going strong on this title (especially compared to some of this other stuff), so it’s time for another issue of one of the best mainstream superhero titles being published at the moment.

Tuesday, 20 June 2006

DC Solicitations and Other Comics Business

DC solicitations for September can be found here.

I thought I’d try something different, and point out a handful of interesting new things from the massive listing of new product from DC, rather than go through the whole thing in detail.

In reverse list order:

1001 Nights of SnowfallFables: 1001 Nights of Snowfall (HC)

Bill Willingham tells a collection of short stories, in the parameters of a Fables riff on Arabian Nights, illustrated by a host of brilliant artists (including the cover artist, James Jean). Fables has been consistently entertaining and enjoyable, so this is an essential purchase. However, I am not a particular fan of hardbacks (I’m weird), so I might have to wait for the inevitable soft cover, but $19.99 for 144 pages of quality comics is not a rip-off. I’ll have to wait a long while, as this is advanced-solicited for October.


LOEG: The Black DossierThe League of Extraordinary Gentlemen: The Black Dossier (HC)

Another advance-solicitation, this is the pick of the bunch. Alan Moore and Kevin O’Neill bring us 208 pages of the LOEG in a single graphic novel, rather than the six-issue series previously. It thematically links to the Fables HC, as it uses the story as an excuse to tell more stories, as Mina Murray and Allan Quatermain read the Black Dossier of the title for answers to help them save the day, a book detailing the hidden history of the League. This will undoubtedly be more brilliance from Moore and O’Neill, with lots of extras to make the purchase worthwhile. My hardback idiosyncrasy may be in trouble, as I don’t know if all the extras will be maintained in a soft cover, especially the hilarious thought of a Tijuana Bible insert. $29.99 gets you a huge slab of comic book genius.


WildcatsWildcats: Wildstorm #1

Two words: Grant Morrison. That’s all the reason I need. It helps that it is drawn by Jim Lee, one of my favourite artists, but it’s the thought of Grant doing his thing on an ongoing superhero franchise with little baggage. I’m giddy with glee at the thought of what he could come up with; I’m so looking forward to it, I can ignore the dullness of the cover. Hopefully, the interiors are more snappy. The only negative will be the bimonthly schedule, but Desolation Jones does okay with the same schedule (and what schedule does Planetary call itself? Annually?), so I can wait for quality.


JLA ClassifiedJLA Classified #26 & 27

Howard Chaykin writes a 6-part Justice League story, Sacred Trust, starting in issue 26. I can’t recall Chaykin writing the Justice League before, but I am no historian. Seeing his twisted sensibilities on the JLA seems bizarre, but intriguing at the same time. In an ideal world, he would draw the series as well, but I’ve no complaints with Killian Plunkett on pencil duties, who has a wonderful style and energy to his work. I shall no doubt buy this in the trade format, because that’s the kind of penny-pinching, pamphlet-killing sod I am, but mention must be made for it now.

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Other comics business:

Warren Ellis talks primarily about Desolation Jones in this interview at Newsarama. However, it turns into a chat about studying the comic page in order to tailor his story to the artist’s strength – in one paragraph, he just nails the qualities of some of the artists he has worked with (Cassaday, Robertson, Doran, McNeil) so perfectly, it’s spooky. It’s fascinating stuff, giving a great insight into his working process and into the understanding of creating comic books. This awareness and appreciation of what he does is one of the reasons why I enjoy Warren’s work; this post on his website talks about his thinking regarding the writing of a half-hour pilot for a new television series he has created, and it’s also a indispensable insight into the creative process.

In a similar vein, this interview with Scott McCloud in the Webcomics Examiner (found via Scott Kurtz), is primarily to talk about his new book, Making Comics, but also talks about the different forms of creator (the Classicist, the Formalist, the Animist, and the Iconoclast) that is fascinating reading. McCloud’s Understanding Comics is required reading for anyone interested in the way comic books communicate their ideas, and it looks like this new book will find a place on my shelves due to its requisite status.

Newsarama gets a big mention, among some big names, as one of Entertainment Weekly’s top entertainment websites (via The Beat). I’ve always had an ever so slight preference for CBR, but that doesn’t mean I’m a CBR zombie to Newsarama’s detriment. Congratulations to the team for making the list, and keep up the good work.

BladeTalking of CBR, this news item tells me why Chaykin won’t be able to draw the JLA story: he’s drawing the new Blade series. The sketch is pretty damn cool, as any sketch from Chaykin would be, and it makes me seriously consider picking up the book just for the art, even though I have no special affection for the character, or know anything about the writer.

Friday, 9 June 2006

No Comics Again? Am I That Unlucky?

No new comics again this week. I’m getting worried I’m not buying enough comics. Not that my bank balance is complaining, stingy bastard that I am, but it’s weird that I’m not getting a regular dose of the new comic book.

Is it just my turning into a grumpy old git, moaning about how things were better in the old days? (Not really; old comics could be shit as well, and it’s only me blogging that makes me more aware of my comics-buying habit.)

Or is it just coincidence, a couple of weeks without anything on my subscription list for me to pick up at the shop? Probably. I know I should use the ‘saved’ money (as if) to try something new and different and support the industry, but, without the impetus of books that I know I want to read, it’s hard to make blind leap on the basis that I MIGHT find something good, possibly, maybe, perhaps.

Anyway, it’s not that I’m losing my love of comic books or getting burned out by them, so it’s not the end of the world. It just gives me more time to read some old stuff and perhaps write about it, seeing if they hold up, or if they should end up in the Trimming the Collection pile.

So, to distract you from lack of content, I point you in the direction of other things to amuse and entertain.

Brian at CSBG points you in the direction of a very funny House of M parody done with action figures.

And Paul O’Brien talks about his favourite comics over at Ninth Art.

I hope that keeps you busy for a while.

Wednesday, 17 May 2006

Marvel & Image solicitations

Is it really a year since the first Ultimate annuals? Are they special anymore, or just money-grabbing opportunities (or is that stating the obvious when it comes to Marvel)? I must rest my weary cynicism detector.

Reading the Marvel solicits is slightly tiring; if it isn’t a tie-in to the massive Civil War crossover, then it’s probably a new comic that nobody really wants (Annihilation: The Nova Corps Files? Claws? Heroes for Hire?), or a bizarre collection (Spider-Man Family: Amazing Friends? Marvel Milestones: Chris Claremont & Jim Lee – X-Men & The Starjammers Part 1 [reprinting Uncanny X-Men #275]?). It’s exhausting.

AXM#16Things I like – the title of the latest Runaways arc, 'Dead Means Dead' is funny; the cover for She-Hulk #11, even if it is by Greg Horn; the cover for Astonishing X-Men #16 speaks to my inner geek; the funny cover to Exiles #85; the title of the Nextwave hardcover collection, 'This Is What They Want'; that they are reprinting the Untold Tales of Spider-man, even if the prices don’t correlate (8 issues of 99 cents should be less than $19.99, shouldn’t it?).

Is it me, or does the line 'Do NOT miss out on this issue!' for Wolverine: Origins #5 just scream of desperation? Wouldn’t it be simpler to put, 'PLEASE BUY ME! PLEASE!'?

Wow, I couldn’t even summon the energy for excessive Marvel mockery; it’s more depressing than I thought. If you love huge crossovers that make you buy books you don’t buy, then make yours Marvel this month. Otherwise, move along, nothing to see here …

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Image solicitations for August

There’s not usually enough Image interest to do an entire post, so here are just a few mentions because the Marvel books were so uninspiring.

Bomb Queen

Special mention for fanboy pleasing to the cover of Bomb Queen vs Blacklight (one-shot). Why not just go straight to Eros for your porn comics, hmm?




Liberty Meadows T-shirt
Talking of which, here’s the Liberty Meadows T-shirt: Frank Cho certainly knows his audience …

Top Cow again produce another thumping collection – the first 50 issues of Tomb Raider for $49.99. I don’t know why they are doing it, but good luck to them for the sheer madness of it.

Best of FinchAlthough Image try to get away from the, well, image of young men drawing hot chicks they masturbate to, we will always have reminders, such as Best of Dave Finch TP, with all the nipple-pointing, short skirt for no reason, pouting action you could want.

As I can find nothing else to point out, I should include my obligatory heads up on Fell, which is very good indeed. But you already knew that.

Monday, 15 May 2006

DC August solicitations

No intro. Let's do it.

Much as I like a bit of Wagner, I won’t be getting his Batman Year 1.5 stories. However, Batman and the Mad Monk is wonderfully silly title, and he draws a cool Bats.

What a great byline: 'What do you get when you add one Batman, fifty Ninja Man-Bats and the British Prime Minister's wife?' Grant Morrison on Batman is a beautiful thing.

52 weeks – Lobo? Really? Lobo? Wow … I mean, even with Giffen on board, it’s still Lobo.

JLA Classified #26 sees a 5-parter from Peter Milligan – does he only do mainstream stuff now? Did he give up after Human Target was cancelled? Shame if it is.

Justice League of America gets yet another restart. For the big guns of DC, how many times has this series been revamped? That’s not exactly inspiring. Why can’t they seem to get it right?

JusticeI’m not reading Justice, which seems to be Alex Ross saying, 'This is the way things should be, so yah boo sucks to you', but does Ross think that all his covers are iconic classics? Does he only do static poses of classic heroes? That seems a little limited …

Is there a pool on how long the new Martian Manhunter series will last? Do people love J’onn J’onnz enough again? I don’t think so, and I quite liked Ostrander’s series.

Solo#12Big shout out for Solo #12, presenting the bizarre and warped art of Brendan McCarthy. A man who sees the world through an hallucinogenic eye, without the need for drugs.

For some reason, seeing the title, Trials of Shazam, makes me think of the lawsuit the original DC had against the original publishers of Captain Marvel.

The new addition to my pull list has to be The Boys by Garth Ennis and Darick Robertson, which looks like it will be a whole lot of fun from two top talents. Bring on the comedy/violence/sickness/superhero-mocking.

Bite Club: VCUVertigo has some great covers, from 100 Bullets #75 & Bite Club: VCU #5, meaning James Jean doesn’t win the cover of the month award.

I finally get to read the end of The Losers, the excellent series by Diggle & Jock, as the Endgame collects the last issues. I have been studiously avoiding reviews of the series, so I can’t wait for this.

Power Girl BustThe final comedy mention goes to the Power Girl Bust. Firstly, having a line called WOMEN OF THE DC UNIVERSE BUSTS is simply hysterical; I mean, do you say it with the tongue in cheek, or were they seriously expecting irony-free announcement of that? Secondly, the Bust itself is spectacular, in both senses of the phrase, as it is firstly unbelievable, and because it brings a Adam Hughes figure into three dimensions, the third dimension being particularly important. Hilarious.

Thursday, 20 April 2006

Marvel solicitations for July

And now, the Mighty Marvel Mammoth Menu!

(They do a lot of books, don't they?)

Ultimate X-Men #72 – is The Magician the most boring-looking hero you have ever seen? It looks like one of designs that Mike Weiringo puts up on his blog that he did as a child; it's so bland and non-descript. Alarm bells ring when he is described as 'a vital part of the X-Men' when he is a new character; surely the whole point of the Ultimate universe is to update the old characters, not introduce new ones? Or am I being hopelessly naive?

Black Panther #18 has a back-up feature looking 'behind the scenes of the creation of Storm's wedding gown'. Bwa-ha-ha-ha-ha. Because that's what the superhero fan wants in their 'extras' – or do they seriously think that a vast flock of girls are suddenly going to buy this because it has a wedding in it?

I'm torn in my thoughts about the Civil War crossover; on one side, I don't give a shit and won't be reading any (except for books that I pick up anyway), but on the other hand, I appreciate the effort going into the process, making it a genuine company-wide event, the feeling that this is something that has been considered from a variety of angles by a group of intelligent people who want to tell good stories. Or I could be just losing it in my old age.

The cover for New Avengers #22 – is this the retort to the 'Jessica Jones gets some backdoor loving from Luke Cage' furore? Is this cover seeing Cage getting some unexpected anal attention? It's the only explanation for the expression on his face …

Has anybody been reading the Annhilation thing? I feel a bit sorry for it, being lost amid the hype for Civil War; not that it looks even remotely interesting, but I feel it should fail on its own merits, rather than having the excuse of being overshadowed.

As Brian points out, the idea of Power Pack as grim'n'gritty is a great idea; it's a classic story concept, and reminds me of an old New Mutants' story where they met their older selves, with Sam Guthrie finally able to control both the flight and sound of his cannonballing. I might have to read this one in the shop.

So, is Beyond an update of the first Secret Wars, but on a smaller scale? Isn't that a case of disappearing up their own backside, repeating their own stories from not that long ago?

An indescribably powerful cosmic being gathers nine of Marvel's most mismatched super beings for purposes beyond their comprehension. Can Spider-Man, Gravity, Venom, Henry Pym, The Wasp, Medusa, Kraven, Firebird and the Hood keep from killing each other before they have to face the dangers of their destination, the deadly artificial planet known as Battleworld?
I like the look of Franklin Richards: Son of a Genius – Super Summer Spectacular (see my comments on ridiculously wordy titles for comic books in my post on DC solicitations) but I can't help but wonder if Marvel will get sued by Bill Watterson.

Nextwave: Agents of H.A.T.E – the most accurate promotional copy:
'Superheroes fightingexplosionsex AvengersFinFangFoom giantflyingsubmarine monstrositiesformer X-Forcebabeexplosionskicking MachineManpunching giantevilcoprobotshot Englishchicksecretterrorist organizationsEXPLOSIONS!'

I find it incredibly ironic that both Uncanny X-Men #475 and X-Men 188 are considered 'A perfect starting point for any new reader!'. The most notoriously subplot-dangling titles in the world, more inpenetrable to new readers than anything outside of Legion of Super Heroes, at issues 475 and 188 (not to mention all the mini-series) could hardly be anything less. But I suppose you can't have promotional blurb that says, 'New reader? Fucking forget it!'

Question: Icon comics was set up as a boutique operation for creater-owned comics within Marvel, so who owns the rights (and makes the money) on Jack Kirby's Galactic Bounty Hunters?

And we're done. I'm exhausted. Nothing of particular note for this month; let's hope that Civil War Obsessive Compulsive Disorder (gotta catch 'em all) works out well for Marvel …

Wednesday, 19 April 2006

Image solicitations for July

It's the turn of Image comics, details seen here.

Image has come on a long way, but the promotional blurb can cause strange reactions.

Take the intro for the Bedlam GN: 'It's Blade meets The DaVinci Code in this bold new graphic novella!' I really dislike the 'Hollywood pitch' style of description. It just cheapens the comic, even if it is appropriate. It doesn't help that they have an exclamation mark, a personal bugbear of mine, and calling it a novella at 48 pages – are we going to start calling a double-sized issue of a normal comic a 'novella' now?

The Ride: Chain Reaction makes me sigh – Stelfreeze is a slick artist, with a great style and strong sense of design, but why is he slumming with this?

I wanted to mention Shadowhawk - One Shot #1 only because it has the greatest name of an artist ever: Chance Wolf. That is a brilliant name; it sounds like a superhero. The chap had no choice but to work in comics. I'm amazed nobody has used that name for a character already.

The Art of Greg Capullo HC has the most WTF? description:

"The comic artist's artist!" Ask anyone who knows the medium and that is what they'll tell you about GREG CAPULLO.
Really? REALLY? I haven't seen his art since his X-Force days, so I can't contest the point, but that last sentence seems extremely unlikely at best.

Casanova #2Girls #15Casanova #2 – now that is a cover; even if it is a scantily clad woman, it’s a visually striking image and artistic use of colour and design that makes it art and not smut. Honest.

Girls #15 – 'There are two types of girl. Naked. And not quite as naked. Issue supplied with free tissues.' It might as well have that as the blurb … I mean, come on. And people wonder why comics have a bad name.

Special mention to Mike Hawthorn's Hysteria: One Man Gang, not just for having great gang names (The Giant Midgets and God's Thugs), but for the subtle insertion of a phrase from one of my favourite films, Enter The Dragon: in it, the way that Han delivers the words 'I look forward to a tournament of truly epic proportions' ('troo-lee epp-ik pro-por-shuns', including the pauses) has always stuck in my head, so seeing it here brings a smile to my face.

Witchblade #100Witchblade makes it to issue 100? Wow. Just … wow. How did that happen? Is it because there was a television series? I'm staggered. And this cover; how disturbing is it? Or is it just me? It's just freaky – the biologically unnatural breasts, the impossible buttocks, the spine twisting, the creepiness of the character on the right. I stare at it and can't believe what I'm seeing; it's hypnotic in its awfulness …

I've just noticed; all these covers show women in various states of undress; does that suggest something about me?

Final mention goes to the Witchblade Compendium Edition; 1248 pages of full colour for $49.99. I may not care for the material, but that's one hell of a bargain – 50 issues in one enormous book.

Tuesday, 18 April 2006

DC solicitations for July

I'm in the process of moving, so my comics are inaccessible at the moment. Which means that the list of future comics that hit the web are the perfect fodder for blogging; I am required to post my opinions as a comic blogger, and all the research material is right to hand.

Let's take a look at DC Comics:

(I was rather suprised to discover that DC Comics took the name only relatively recently; I always thought they'd been called that from way back. Not so; they'd been National Periodicals for a long time. I learnt this from reading Gerard Jones's book, Men of Tomorrow: Geek, Gangsters, And The Birth Of Comic Books, which is a great read, informative and entertaining. Not perfect, but a valuable addition to the library.)

The excitement this month, for me, is in Grant Morrison doing Batman (fnarr, fnarr). His Dark Knight in his JLA run was the best interpretation of Bats yet, for my money, so his taking over the writing of a regular series is a perfect fit and a great idea. However, I have no great rush to get these in singles; you know this is getting the trade treatment, and the Kubert art, while technically accomplished and rather snazzy, has never done anything for me (which is going against the grain of public opinion, apparently).

Secrets #5Batman: Secrets #5 – is it me, or does the cover looks like someone is going down on the Dark Knight, to give him a little oral vigilantism? Is that what the secret of the title is? Batman accepts blow-jobs for justice? I can't decide the gender of the fellator; the pink is ambiguous, perhaps deliberately. I initially thought that it was an attempt to overcome the blatant homoeroticism in superhero covers; apart from having Bats vigorously taking Selina from behind on the bonnet of the Batmobile, this is about as blatant as you can get. However, if the person about to take a shot of Dark Knight shake in the mouth is a man, it would be in keeping with the undeserved reputation that Wertham gave the Caped Crusader.


Battle for Bludhaven #6Freedom Fighters #1Crisis Aftermath: Battle for Bludhaven #6 (what a mouthful; no wonder they have to leave so much room at the top of the cover for the title. Where will it end? Covers with just words on them? What are we – 'normal' books?) and Uncle Sam and the Freedom Fighters #1 (even with ideas from GM, this just looks like a failure) have very nice Acuna covers; they radiate superhero power and a modern fashion-consciousness sets them apart, and he has a smooth touch to his linework, sort of like a slightly jazzier Adam Hughes. I wonder what he’s like with a story?

Superman #654The other big news is Busiek & Pacheco on Superman as of issue 654; that is a salivating combination. I’m drooling on my keyboard as we speak – I hope it doesn’t short-circuit. And I’m not even a great Supes fan. I always thought Busiek would do a good Superman after his first Astro City story. This was confirmed when I read Superman: Secret Identity, which was wonderful. Match him with an artist of the calibre of Pacheco, who is modern yet steeped in classical superheroism, and you’ve got the perfect combination.

This Crisis (much like the last) seems to be introducing new superheroes willy nilly – a new Blue Beetle, a new Spectre, a new Catwoman (hilarious cover)Catwoman #57, a new Nightwing (great cover by Jock) – and now an ‘All-New Atom’. Do we think that people will warm to new versions of their old favourites? Has Firestorm gone down well? I’m not so sure; I think we’ve passed the threshold where people would try new stuff, and now people just want their favourites in place – look at the fuss when Hal Jordan wasn’t Green Lantern, and the efforts made to return him to the job.

Jack of Fables – lovely cover, but do we need it? Do spin-offs really work? The presence of a co-writer makes me slightly nervous; it shows the opportunism involved, rather than the vision of one person requiring the extra space to tell stories. I am willing to be proved wrong, as I enjoy Fables immensely, but I’ll be picking this up in trade if I do at all.

Thursday, 19 January 2006

Marvel solicitations for April

Marvel announce over a gadjillion books for you to buy in April (info here).

Spider-Girl
#97 has the line 'He’s back by popular demand!' in the blurb. Isn’t this the comic that is being cancelled at #100 after years of near-cancellation due to low numbers? What does popular demand mean then? The editor, his wife and their tennis partners?

Black Panther is looking for a lady. According to the blurb, 'the outcome of which will send reverberations throughout the whole Marvel Universe.' Not sure how, exactly, but I can’t help but get the image out of my head of T’Challa saying, ‘Once you’ve had Black Panther, you’ll never go back.’

Moon KnightMoon Knight looks like an interesting attempt to reinvigorate an old Marvel character, even if they do use the awful cliché of 'back and badder than ever'. Shudder. I’ve never heard of Charlie Huston, but the blurb sounds like it has a good angle on the character, and I do like David Finch’s art, which would be well suited to a dark tale. I’m not sure whether to buy it in serial form or wait for the trade; I want the New Avengers trade but the price doesn’t seem pan out, as it looks like the price I will be able to get it for (~£9.50) is the same as if I bought the individual trades (£1.70 x 6 = £10.20). Surely one of the reasons for getting the trades out is that people would be willing to pick them up if they are cheaper?

I can’t get my mind out of the gutter when I see the words 'The Package' and 'Special extra-sized issue' so close to each other in the Wolverine #41 ad copy.

Is Marvel following the DC Identity Crisis format of having a handful of mini-series as lead in to the main event? If you are thinking about following the Annihilation event, you have to get 4 four-issue mini-series. That’s a big investment. And, with the exception of Giffen, the creators aren’t exactly big names, and Giffen isn’t exactly A-list. Did it work out for DC? Am I being cynical? And should we call it Ann Nye Al Ashun or something equally new?

Avengers and Power Pack Assemble!Avengers and Power Pack Assemble! should win a merit award for cheek. What sort of system have we wrought for ourselves when Marvel has to dispense what is, in effect, a Power Pack continuing series in the form of mini-series with guest-starring names on the cover? It’s quite sad, really, but at least it’s out there. Not that I’ll be getting it, but that’s not the point J (although the ad copy seems a little desperate: 'Don’t wait for the digest … Join the Pack now!')

Why, dear God, do we have Marvel Milestones: Beast & Kitty Pryde? Why? Why? Someone explain it me. Please?

I’ve already pontificated on Wolverine: Origins before, and I stand by my gibberish rantings there.

I’m surprised they haven’t done it before now – Uncanny X-Men Omnibus vol. 1 HC, collecting issues 94-131 of Uncanny X-Men, Annual #3 and Giant-Size X-Men #1, in colour no less, a whopping 272 pages of Chris Claremont reshaping modern superheroics in some of my favourite comic books of my teenage years. A hardback for a hundred bucks? I won’t be getting it, but it gives me a warm tingle to know it’s out there.

The trade paperbackization (I can invent words if I want) of Marvel’s back catalogue continues a pace, even collecting the early New Mutants (I don’t think the early New Mutants warrants the ‘Classic’ tag – the Bob McLeod stuff was quite stiff and Claremont’s stories quite pedestrian. It didn’t kick off until Bill Sienkiewicz came on board and things went crazy – see Dave's eloquent post for evidence), which goes to show that nearly anything will get reprinted these days.

Talking of collecting everything into trades, The Young Avengers #1–6 gets collected; I might give it a try, based on some good reviews around the blogosphere.

And I'm spent for another month. Time to write something else.

Wednesday, 18 January 2006

Image solicitations for April

Frank Cho - WomenThe turn of Image to tease me with their forthcoming releases (details here).

Frank Cho Women – now this is what the fans really want. I think that Cho does draw a fine-looking female, but this is just baseless pandering. At least the cheesecake is hidden within story-telling in his other work. As Woody (of Quantum & Woody, for all you philistines out there) might say, there will be nippleage.

Astro GN is described as ‘beautifully painted graphic novel’. Does this mean that most painted graphic novels aren’t beautiful? Or that being beautifully painted is the only reason for this to exist. Surely the art in comic books is one of the most obvious selling points? Am I being a tad anal here?


Loaded BibleAward for greatest title and promo text to Loaded Bible: Jesus vs Vampires One-shot:

In the near future, the United States is ruled by bloodsucking vampire hordes. Only one man can end their reign of terror: JESUS H. CHRIST. A tale of war, love, religion and severed heads, the controversial LOADED BIBLE answers an age-old question: "What Would Jesus Do?" Answer: He'd kick vampire ass.


Absolute genius. Not sure if the goods will be delivered, but it made me smile.


Fell #7As an Ellis acolyte, I have to pimp Fell:

Another self-contained, standalone episode in the life of detective Richard Fell, working in the feral city of Snowtown. A place where things just get forgotten about. The small, decommissioned military storage facility on the north end of the docks. The nice girl from September Street who always said hello to the old men on the corner. The guy with the mark on his face who survived a walk on the dockside. Three things that connect into something Richard Fell isn't going to forget for a long time...


I know I preach about his work but Ellis delivers the sort of comics I enjoy reading, and he gets damn good artists to work on them as well. And he is constantly trying new things and analyzing what he does. These are GOOD things and should be lauded.

Tuesday, 17 January 2006

DC Solicitations for April

CheckmateA quick peek at what DC has to offer that tickles my fancy (from here).

Supergirl #7 sees the debut of Greg Rucka, who is a good writer; I’m conflicted, though, as to whether this will be a good fit, even though the concept seems enduringly goofy enough (Supergirl and Power Girl as Flamebird and Nightwing in the bottle city of Kandor). I enjoy Rucka writing non-superhero comics but I don’t feel the same sparkle when he handles the fetish suits.

Checkmate seems more suited to Rucka, with the start of a new series, with Jesus Saiz on art duties, with the 'SHIELD done right' concept of a spy agency in a superhero universe. (Why haven’t Marvel got a SHIELD ongoing series? Perhaps because it doesn’t work in the long term …?) However, it’s all tied into the IC nonsense I have been deliberately avoiding, which makes me feel uncomfortable. I shall wait for the reviews and the inevitable trade.

I don’t fully understand all the complicated shenanigans of the Superboy/time bubble/Mon-el stuff that is a big part of the Legion of Super Heroes, but doesn’t the presence of Supergirl just open that can of worms again?

As an aside, I’d like to say that I like the covers from Daniel Acuna that have been popping up over the last few months. Nice, slick style and design.

Seven Soldiers #1Seven Soldiers #1, the final issue! (Bizarre numbering …) A tingle of anticipation just from seeing the cover, can’t wait to see how this finishes.

The Ex Machina special sounds like fun, and it will be interesting to see someone else delineate the adventures of Mayor Hundred other than Tony Harris (I’ve always liked Sprouse’s art), but why does it need a special? Is this to allow Harris a break? Surely it would be fine within the confines of the ongoing series?

Bite Club: VCUI like the idea for Bite Club: Vampire Crime Unit, even if I didn’t read the first series. The mixing of the vampire and police procedural has an attractive appeal; however, I haven’t enjoyed any recent material co-written by these two in a while (I gave American Century a long try, but it didn’t hold.) Great Quitely cover, though.

Wednesday, 28 September 2005

Comics in my near and not-so-near future

Strangehaven #18Books I want this week:

Strangehaven #18
When was the last time this came out? Always a pleasure to see this appear on the New Comics List.

Jack Cross #2
I never watched 24, so the comparisons some have made mean nothing to me. Even if Erskine isn't at his best, the first issue was taut stuff, so looking forward to more.

Legion of Super-Heroes #10
Hopefully, Kitson is back on art duties, as we see what happens next in this interesting take on the LSH.

PvP #19
I've read the entirety of the online comics so this is my way of paying Mr. Kurtz back.

Daredevil #77
Bendis & Maleev have had a great run on DD and this last arc looks like it will be no different.

And now, a few comments on the solicitations by the big three companies for December.

Image try their best to be different and interesting but someone should have told them that the phone conversation thing was not funny. Really. Marc Silvestri wimps out on Hunter-Killer, with Eric Basaldua providing the interior pencils for issue 8. Wasn't this supposed to be his return to drawing regularly? Or perhaps I'm being too harsh. After 3 issues (has #1 come out yet?), V.I.C.E. is, apparently, already an 'ongoing hit series!', which I'm sure is news to the rest of the world. And I'll avoid the easy joke in Best of Michael Turner being a very small book. Damn.

DC has lost a lot of the goodwill I felt for it with most things seemingly crossing over with Infinitely Long Build Up and Continuity Clean Up, which makes me gloss over most of the books on the list. Apart from Seven Soldiers, the one thing that brought a smile to my face was the title of the Batgirl TP, Kicking Assassins, but I guess that depends on your sense of humour. Although it smacks of cashing in, Crisis on Multiple Earths: The Team-Ups Vol. 1 TP will give those people, like myself, the opportunity to read some interesting old comics. The same can be said for Showcase Presents: Justice League of America Vol. 1 TP, with the innate suggestion that there is more to come. The only addition to my usual suspects will be the last issue of Tom Strong, as Alan Moore and Chris Sprouse come back to finish things off in style. I haven't been reading it since Moore left, because that's the kind of chap I am, so I'm looking forward to the finale. Question – why are the TPs for Vimanarama and We3 $12.99 (more than the individual issues) when Seaguy is $9.95? Am I being dense but aren't the point of TPs to be cheaper than the comics, more accessible to the non-comic reading public?

Marvel have fostered very little goodwill with me and their strategy of late (throw enough shit at the wall and see what sticks) makes going through their solicitations very wearisome. It must be the silly season with all these 'Specials' to drain people's bank accounts, and do we really need six more What Ifs? The art of Leinil Francis Yu will probably be wasted on Ultimate Wolverine v Hulk, which seems a shame for his first project under exclusive contract. Kevin Smith sees fit to finish off his Spider-Man series after being constantly guilted into it by Joe Quesada, who only gives him slack because of the media attention he can bring to a project. The curiosity value of two Punisher one-shots make for the most interesting Marvel projects; Andy Diggle does the Xmas comedy, while Garth Ennis does Pre-Pubescent Punisher, which seems utterly bizarre but should be a good read nonetheless.

I don't know; it's enough to make someone write an article about how they are bored with comic book NEWS and then see the internet crack in half when people misinterpret what was written …

So, to finish more positively, here are my favourite covers from each of the three companies. James Jean was a strong contender, but these won for the way they stood out from the rest or, in the case of Punisher/Bullseye, because it made me laugh.

Batman #648 by JockFell #4 by Templesmith
Punisher Bullseye #2 by Dillon

Wednesday, 24 August 2005

Now, I want YOUR opinions...

Having accepted the Blogaround challenge (in this post) and then reading that Evan very kindly said nice things about me in this post, after I emailed & blogged some constructive criticism of his site after he asked for opinion of his site, and saw that he got some good criticism from other kindly comic bloggers, it got me thinking – would it be brazen of me to ask for your opinion of this blog? I primarily post for myself but I also want other people to read my blog, so it would be helpful and interesting to know what people think of the blog and what they would want to read here as well.

So, I WANT YOU AND YOUR OPINIONS – I want your non-clandestine criticisms …

Please feel free to either email or leave a comment with your thoughts, criticisms and suggestions regarding this blog; all will be gratefully accepted. Thank you in advance.

And now, I’m going to tell you what comics I will be buying this week for my own nefarious reasons:
Jack Cross #1
Jack Cross #1
Legion of Super-Heroes #9
Daredevil #76
Queen & Country: Decl